Table of Contents
Cinema Calculations Handbook
Professional formulas and calculations every cinematographer needs to master. From depth of field to exposure math, learn the technical foundation of great cinematography.
Introduction to Cinema Mathematics
Professional cinematography relies on precise mathematical calculations that separate amateur work from professional results. Understanding these formulas allows cinematographers to make informed creative decisions while maintaining technical excellence.
Why Cinema Math Matters
This comprehensive handbook covers the essential mathematical concepts that form the foundation of professional cinematography, from basic optical calculations to advanced exposure mathematics.
1. Depth of Field Calculations
Depth of field is one of the most powerful creative tools in cinematography. Understanding the mathematical relationships allows precise control over what's in focus and what's not.
Circle of Confusion
CoC = Sensor Width ÷ (Crop Factor × 1500)
Calculate the circle of confusion for your specific camera sensor.
Where:
Sensor Width
= Physical width of the sensor(mm)Crop Factor
= Sensor crop factor relative to full frame(multiplier)
Example: Full Frame Camera (36mm sensor)
36 ÷ (1.0 × 1500) = 0.024mm
0.024mm circle of confusion
Depth of Field Formula
DoF = (2 × N × CoC × s²) ÷ (f² - N × CoC × s)
Calculate the total depth of field for any lens and camera combination.
Where:
N
= F-stop (aperture)(f-number)CoC
= Circle of confusion(mm)s
= Subject distance(mm)f
= Focal length(mm)
Example: 85mm lens, f/2.8, 3m subject distance
(2 × 2.8 × 0.024 × 3000²) ÷ (85² - 2.8 × 0.024 × 3000)
≈ 180mm total DoF
Common Circle of Confusion Values
- Full Frame (35mm): 0.024mm
- APS-C Canon: 0.015mm
- APS-C Sony/Nikon: 0.016mm
- Micro Four Thirds: 0.012mm
- Super 35mm Film: 0.025mm
Near and Far Focus Points
Near = s × f² ÷ (f² + N × CoC × s) | Far = s × f² ÷ (f² - N × CoC × s)
Calculate the exact near and far focus limits.
Where:
s
= Focus distance(mm)f
= Focal length(mm)N
= F-stop(f-number)CoC
= Circle of confusion(mm)
Example: 50mm lens, f/4, focused at 2m
Near: 1.85m | Far: 2.17m
320mm depth of field
Depth of Field Reference Table
Focal Length | f/1.4 | f/2.8 | f/5.6 |
---|---|---|---|
35mm @ 3m | 0.8m | 1.6m | 3.2m |
85mm @ 3m | 0.08m | 0.16m | 0.32m |
135mm @ 3m | 0.03m | 0.06m | 0.12m |
2. Hyperfocal Distance
Hyperfocal distance is the closest focusing distance where objects at infinity appear acceptably sharp. It's crucial for landscape cinematography and maximizing depth of field.
Hyperfocal Distance Formula
H = f² ÷ (N × CoC)
Calculate the hyperfocal distance for maximum depth of field.
Where:
f
= Focal length(mm)N
= F-stop (aperture)(f-number)CoC
= Circle of confusion(mm)
Example: 24mm lens at f/8 on full frame
24² ÷ (8 × 0.024) = 576 ÷ 0.192
3m hyperfocal distance
Near Limit When Focused at Hyperfocal
Near Limit = H ÷ 2
When focused at hyperfocal distance, everything from half that distance to infinity is sharp.
Where:
H
= Hyperfocal distance(mm)
Example: Hyperfocal distance of 3m
3000 ÷ 2 = 1500mm
Sharp from 1.5m to infinity
Hyperfocal Distance Applications
- Landscape shots: Maximum sharpness from foreground to background
- Wide establishing shots: Ensure entire scene is in focus
- Documentary work: Maintain focus without constant adjustment
- Action sequences: Keep moving subjects in acceptable focus
Hyperfocal Distance Reference (Full Frame)
Focal Length | f/2.8 | f/5.6 | f/11 |
---|---|---|---|
14mm | 2.9m | 1.4m | 0.7m |
24mm | 8.6m | 4.3m | 2.2m |
35mm | 18.2m | 9.1m | 4.6m |
3. Field of View & Angle Calculations
Field of view calculations help determine lens choice, camera placement, and framing decisions. Understanding these relationships is essential for shot planning and lens selection.
Horizontal Field of View
HFoV = 2 × arctan(Sensor Width ÷ (2 × Focal Length))
Calculate the horizontal field of view angle for any lens and sensor combination.
Where:
Sensor Width
= Physical width of sensor(mm)Focal Length
= Lens focal length(mm)
Example: 50mm lens on full frame (36mm sensor)
2 × arctan(36 ÷ (2 × 50)) = 2 × arctan(0.36)
39.6° horizontal field of view
Subject Width in Frame
Subject Width = 2 × Distance × tan(HFoV ÷ 2)
Calculate how much of the scene will fit in frame at a given distance.
Where:
Distance
= Distance to subject(mm)HFoV
= Horizontal field of view(degrees)
Example: 50mm lens, 3m from subject
2 × 3000 × tan(39.6° ÷ 2) = 2 × 3000 × tan(19.8°)
2.16m subject width in frame
Distance for Desired Framing
Distance = (Subject Width ÷ 2) ÷ tan(HFoV ÷ 2)
Calculate camera distance needed to frame a subject of known width.
Where:
Subject Width
= Width of subject to frame(mm)HFoV
= Horizontal field of view(degrees)
Example: Frame 2m wide subject with 50mm lens
(2000 ÷ 2) ÷ tan(39.6° ÷ 2) = 1000 ÷ tan(19.8°)
2.78m camera distance needed
Common Focal Length Classifications
- Ultra Wide (14-24mm): 114°-84° field of view
- Wide Angle (24-35mm): 84°-63° field of view
- Normal (35-85mm): 63°-28° field of view
- Telephoto (85-200mm): 28°-12° field of view
- Super Telephoto (200mm+): 12°+ field of view
Field of View Reference (Full Frame)
Focal Length | Horizontal FoV | Subject Width @ 3m |
---|---|---|
24mm | 84.1° | 4.5m |
50mm | 39.6° | 2.16m |
85mm | 23.9° | 1.27m |
4. Lens Mathematics
Understanding lens mathematics helps with focal length conversions, crop factor calculations, and equivalent lens comparisons across different sensor formats.
Crop Factor Calculation
Crop Factor = Full Frame Diagonal ÷ Sensor Diagonal
Calculate the crop factor for any sensor size relative to full frame.
Where:
Full Frame Diagonal
= Always 43.27mm(mm)Sensor Diagonal
= Diagonal of your sensor(mm)
Example: APS-C sensor (23.6 × 15.6mm)
43.27 ÷ √(23.6² + 15.6²) = 43.27 ÷ 28.4
1.52x crop factor
Equivalent Focal Length
Equivalent FL = Actual FL × Crop Factor
Calculate the full-frame equivalent focal length for cropped sensors.
Where:
Actual FL
= Physical focal length of lens(mm)Crop Factor
= Sensor crop factor(multiplier)
Example: 50mm lens on APS-C (1.5x crop)
50 × 1.5 = 75mm
75mm full-frame equivalent
Magnification Factor
Magnification = Image Distance ÷ Object Distance
Calculate the magnification ratio for macro and close-up work.
Where:
Image Distance
= Distance from lens to sensor(mm)Object Distance
= Distance from lens to subject(mm)
Example: Macro lens: 100mm from sensor, 200mm to subject
100 ÷ 200 = 0.5
0.5x magnification (1:2 ratio)
Crop Factor Applications
- Lens selection: Choose lenses based on equivalent field of view
- Depth of field: Smaller sensors have greater apparent DoF
- Low light: Larger sensors generally perform better
- Telephoto reach: Crop sensors extend telephoto range
Common Sensor Formats
Format | Dimensions | Crop Factor | 50mm Equivalent |
---|---|---|---|
Full Frame | 36 × 24mm | 1.0x | 50mm |
APS-C Canon | 22.3 × 14.9mm | 1.6x | 80mm |
Micro 4/3 | 17.3 × 13mm | 2.0x | 100mm |
5. Exposure Mathematics
Exposure calculations form the foundation of cinematography. Understanding the mathematical relationships between aperture, shutter speed, and ISO allows precise control over image exposure.
Exposure Value (EV)
EV = log₂(N² ÷ t)
Calculate the exposure value for any aperture and shutter speed combination.
Where:
N
= F-stop (aperture)(f-number)t
= Shutter speed(seconds)
Example: f/4 at 1/60 second
log₂(4² ÷ (1/60)) = log₂(16 × 60) = log₂(960)
EV ≈ 9.9
Stop Difference Calculation
Stop Difference = log₂(Light₁ ÷ Light₂)
Calculate the difference in stops between two light levels.
Where:
Light₁
= First light measurement(lux or fc)Light₂
= Second light measurement(lux or fc)
Example: Comparing 1000 lux to 250 lux
log₂(1000 ÷ 250) = log₂(4)
2 stops difference
T-Stop to F-Stop Conversion
T-Stop = F-Stop ÷ √(Light Transmission)
Convert between f-stops and t-stops accounting for lens light transmission.
Where:
F-Stop
= Geometric aperture(f-number)Light Transmission
= Lens transmission efficiency (0.7-0.95)(percentage)
Example: f/2.8 lens with 85% transmission
2.8 ÷ √(0.85) = 2.8 ÷ 0.922
T3.0 actual light transmission
Cinema vs Photography Exposure
- Shutter angle: 180° = 1/(2×frame rate) shutter speed
- T-stops: More accurate than f-stops for consistent exposure
- False color: Use waveforms and false color for precise exposure
- Log recording: Requires different exposure strategies
Shutter Angle to Shutter Speed Conversion
Frame Rate | 180° Shutter | 90° Shutter | 360° Shutter |
---|---|---|---|
24fps | 1/48s | 1/96s | 1/24s |
30fps | 1/60s | 1/120s | 1/30s |
60fps | 1/120s | 1/240s | 1/60s |
6. Color Temperature & Light
Color temperature calculations help match different light sources and achieve consistent color reproduction across various lighting conditions.
Mired Calculation
Mired = 1,000,000 ÷ Color Temperature (K)
Convert color temperature to mireds for filter calculations.
Where:
Color Temperature
= Light source temperature(Kelvin)
Example: Daylight at 5600K
1,000,000 ÷ 5600 = 178.6
179 mireds
Filter Strength Calculation
Filter Mireds = Source Mireds - Target Mireds
Calculate the required filter strength to match color temperatures.
Where:
Source Mireds
= Current light source in mireds(mireds)Target Mireds
= Desired color temperature in mireds(mireds)
Example: Tungsten (3200K) to Daylight (5600K)
312 - 179 = +133 mireds (Full CTB)
+133 mired filter (CTB)
Light Falloff (Inverse Square Law)
Light Intensity = Source Intensity ÷ Distance²
Calculate how light intensity decreases with distance.
Where:
Source Intensity
= Light output at source(lux or fc)Distance
= Distance from light source(meters)
Example: 1000W light at 2m vs 4m
At 2m: 100% | At 4m: 100% ÷ (4²÷2²) = 25%
4x less light at double distance
Common Color Temperatures
- Candlelight: 1900K (526 mireds)
- Tungsten: 3200K (312 mireds)
- Fluorescent: 4100K (244 mireds)
- Daylight: 5600K (179 mireds)
- Overcast Sky: 6500K (154 mireds)
- Blue Sky: 10000K (100 mireds)
Case Study: Mixed Lighting Scenario
Scenario
Interior scene with tungsten practicals and daylight from windows, requiring color consistency for a commercial shoot.
Challenge
Balance tungsten (3200K) and daylight (5600K) sources while maintaining natural-looking lighting and proper exposure levels.
Solution
- 1Measure existing light levels and color temperatures
- 2Calculate filter requirements for color matching
- 3Determine additional lighting needs using inverse square law
- 4Plan gel and diffusion strategy
- 5Test exposure and color balance
Calculations:
Window light: 5600K (179 mireds)
Tungsten practicals: 3200K (312 mireds)
Required correction: 312 - 179 = +133 mireds (Full CTB)
Light falloff: Window at 3m = 100%, Practical at 1m = 900% relative
ND required: log₂(900/100) = 3.17 stops ND on practicals
Achieved consistent 5600K color temperature throughout scene with natural-looking lighting balance and proper exposure ratios.
Key Takeaways
- Mired calculations simplify color temperature matching
- Inverse square law is crucial for balancing multiple sources
- Always measure and calculate rather than guess
- Test shots save time and ensure consistency
Mastering Cinema Mathematics
These mathematical foundations give you precise control over every aspect of the cinematic image. From depth of field to color temperature, understanding these relationships allows you to make informed creative decisions while maintaining technical excellence.
Practice these calculations until they become second nature, and consider using professional tools like CineMath to handle complex calculations quickly and accurately on set.
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